![]() ![]() ![]() He faced opposition from within the community-where the instrument was deemed by Watt’s father a “middle instrument suited only for thin-lipped white boys”-and from without. Even the author’s own father, who played trumpet, sought to dissuade the young classical musician in the making. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. ![]() Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilarating-and at times painful-experience. The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in the United States. ![]()
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